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Saturday, February 2, 2019

Flannery O’Connor: The Southern Catholic Essay -- Authors

To many critics, Flannery OConnor was avery devout catholic, of the (thirteenth century, OConnor described herself), suggests give chase Bosco a Jesuit priest, professor of Theology and English studies at Loyola University dough (qtd in Bosco 41). Along with being a native Georgian, OConnor see life, albeit short lived, during an era of racial conflict. Although, she considered herself from another century, she was acutely awargon of her 20th century southern world, and furthermore she expressed it through her short stories. As Robert Drake a writer and Prof. at the University of Texas explains she wrote of what she knew to be at her own doorstep (Drake, indicative Perception 32), meaning that her strong religious values, southern roots and the social issues of her times influences her writing. The aspects of OConnors life that are prevalently revealed as influences, are her strong religious values, southern roots and societal issues which are portrayed, in Good Country People and Everything That Rises Must Converge, through her characters. One aspect of OConnors life that is revealed as an influence, in writing the characters, in both short stories, is her strong religious values. As Drake points out, she was catholic in the oldest and truest sense of the word And was faithful to her Christian principles, which was evident in the repurchase of the protagonists (Drake 32). For example in Good Country People, the point of redemption comes for bliss when she realizes that instead of her seducing Manly, as she had planned, he has made her suffer by larceny her wood leg, mocking her intelligence, then leaving her helpless in a barn. Joy thought herself to be intellectually superior to Manly,... ...isiana State University Press.1980. xxvii. markerDrake, Robert. Apocalyptic Perception. Flannery OConnor A Memorial. Ed. J.J. Quinn, S.J. Scranton University of Scranton Press, 1996. 29, 32-33. PrintHyman, Stanley. Flannery OConnor. Seven American Women Writers of the Twentieth Century An Introduction. Ed. Maureen Howard. Minneapolis University of Minnesota Press, 1977. 323. PrintMeyers, Sr. Bertrande. Ways of Interpretation. Flannery OConnor A Memorial.Ed. J.J. Quinn, S.J. Scranton University of Scranton Press, 1996. 19. Print Paulson, Suzanne. Racial Conflict. Flannery OConnor A Study of the suddenly Story Fiction. North Dakota Minot State University. 1988. 69. PrintShackelford, D. Dean. Flannery OConnor. Critical come off of Short Fiction, Second Revised Edition (2001) 1-7. Literary Reference Center. Web. 28 Apr. 2012.

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